Showing posts with label Mount Allison University. Show all posts
Showing posts with label Mount Allison University. Show all posts

Tuesday, July 25, 2017

Getting To Know Beach Glass - Andrea Cormier



Photo credit: Félix Bernier

One of the best things I experienced returning to University at 56 years of age was meeting and becoming friends with a number of young women.

 Without children or younger sisters of my own I found myself seeing these young women as little sisters and I came to love and care about them. To see how they struggled, and at the same time having a sense of maturity and wisdom to follow their hearts and fulfill dreams, heartened me.

One such young woman is Andrea Cormier, a kind, creative, talented and thoughtful young woman. She recently gave an interview about herself, her creative process, and debuting her first EP, Beach Glass  published 24th July 2017- Words & Questions: Jamie Downes in  A Lonely Ghost Burning.


Tuesday, October 4, 2016

Alex Colville's Family Gift



Alex Colville's daughter, Ann Kitz, in front of the restored mural called Athletes, in the Colville Gallery in Owens Art Gallery. (Owens Art Gallery)


Alex Colville is an artist I've long admired. This morning I heard that his studio is about to be recreated and displayed on site in the Colville House on the Mount Allison University campus, thanks to the generous gift from his family. I was very excited to hear this news.

This CBC article describes all the details, and the permanent exhibit will be on display July 2017. I can hardly wait to visit Alex Colville's studio space!


Alex Colville, in his Sackville home in 1961. (Owens Art Gallery)

Monday, November 10, 2014

Rememberance Day - Wilfred Owen

 
Wilfred Owen


ANTHEM FOR DOOMED YOUTH
A
What passing-bells for these who die as cattle? 
Only the monstrous anger of the guns. 
Only the stuttering rifles' rapid rattle 
Can patter out their hasty orisons.
No mockeries now for them; no prayers nor bells; 
Nor any voice of mourning save the choirs, –
The shrill, demented choirs of wailing shells; 
And bugles calling for them from sad shires.
What candles may be held to speed them all? 
Not in the hands of boys but in their eyes 
Shall shine the holy glimmers of goodbyes. 
The pallor of girls' brows shall be their pall; 
Their flowers the tenderness of patient minds, 
And each slow dusk a drawing-down of blinds.


While attending Mount Allison University from 2009 - 2012, one of the very best things I did, was  to take a English Literature course from Professor Emeritus, Michael Thorpe.
 I was never a huge poetry reader as I hadn't been exposed to a lot of it in school growing up. But after I enrolling in this class, and from that time forward, I changed my perspective toward poetry and about war. 
The language of poetry helps us to understand the human condition, as it is a living thing and can change our lives.

Thanks to  Professor Thorpe, I developed a deeper understanding of war, the suffering it brings, and it disturbed me more profoundly trying to comprehend why we are such a warring species. The above poem by famous war poet Wilfred Owen especially, touched me deeply. 
This Remembrance Day, I pray for peace in the world, and for all the those in service, and victims of war, past and present, and for all of their families.

Woman of War - Catherine Meyers

Friday, August 29, 2014

" Artist's Must Be Supported " - Herménégilde Chiasson


Herménégilde Chiasson

I saw this post tonight, an article written by my Art History Professor Herménégilde Chiasson. He taught a class entitled Art History Through Film, which I was enrolled in at Mount Allison University while I was completing my Bachelor of Fine Art degree.

I found him to be a wonderful teacher, I believe a brilliant, insightful, humble man, and a staunch, passionate advocate for the artist, and I learned so much from him. I am very grateful to have had the privilege to have been his student.

Wednesday, July 2, 2014

Mount Allison Cancels Free Tuition For Seniors

Judith MacCheyne (right), Kate Cober (centre) and Lucas Cober (left) were all attending Mount Allison University. MacCheyne may not be able to complete her degree after the university decided to terminate its policy of allowing seniors to study for free. (Tori Weldon/CBC)
 
 Recently I turned 61 years of age. I can  now, officially consider myself a "senior citizen ". I'm not having a difficult time get used to that. What I will never get used to, is the cost of education.  Returning to University at the age of 56 was the most significant decision I'd ever made in my whole life. I am well below the poverty line but being determined to achieve the goal and dream of finally finishing my Fine Art Degree, in spite of the cost, I certainly do not regret  returning as a mature student. As a matter of fact, it was one of the most rewarding and productive times of my life, that will remain with me always, in numerous ways, too many to count.

This is why I was very dismayed by the decision made at by my Alma Mater to change the policy regarding Mount Allison University to cover tuition costs for senior citizens. Though this does not affect me directly as I received my degree, graduating in 2012, but because I know, and fully understand how important it was for me to finish my degree, and what it meant on the day of Convocation. I strongly identify with  Judith MacCheyne who's story was on CBC today. She began her studies at Mount Allison, at the age of 65, and now will be unable to afford to pay for her education. I believe this to be a shameful, heart breaking travesty, from a University that promotes life long learning.

Finally after Judith MacCheyne had raised her family, working hard all her life, as a working mother, she decided to enroll, having the wonderful opportunity to go to University, with her tuition covered. She'd never been able to afford to do this without this policy in place, at Mount Allison University, providing free tuition to seniors, and now in her second year, her dream of graduating has come to a crushing halt. This is so wrong and outrageous on so many levels.

Mount Allison University has the second highest tuition in Canada. It has become next to impossible for those students, without financial help from family, to obtain their secondary education from Mount Allison, without going into crushing debt for the rest of their lives.

I've always been of the opinion that education should be free to all, let alone the mature student or senior that wants to receive a higher education. After some research, I found this online, and it frankly surprised me. It is a Treaty from the United Nations General Assembly entitled International Covenant on Economic, Social and Cultural Rights Adopted by the General Assembly of United Nation on December 1966.

This is part of the text referencing the right to free education.


" 2. The States Parties to the present to the Covenant recognize that, with a view to achieving the full realization of this right: primary education shall be compulsory and available free to all; (6) secondary education in its different forms, including technical and vocational secondary education, shall be made generally available and accessible to all by every appropriate means, and in particular by the progressive introduction of free education; (c) higher education shall be made equally accessible to all, on the basis of capacity, by every appropriate means, and in particular by the progressive introduction of free education; "

What want to know is what the heck happened to this right?

My hope is that there will be a great social media out cry for Mount Allison University to recind their policy and allow Judith MacCheyne to finish her degree tuition free. 

Saturday, March 22, 2014

John Haney - Photographer


'I don’t use them because they’re a novelty. I use them because they are the tool that helps me make the kind of images I want.'—John Haney

Here's a great article from CBC Hamilton news entitled, Why Hamilton Photog John Haney is the opposite of Instagram

John Haney is a friend and mentor. In 2009-2012 when I was at Mount Allison University, in Sackville, New Brunswick he was one of my photography teachers. He is lovely, good human being, a wonderful photographer, and for me, embodies everything about what I love ' old school ' photography.

 I learned a great deal from John and we both learned from Thaddeus Holownia who is the Head of the Fine Art Department at Mount Allison and an amazing mentor and talent.
 
Thaddeus Holownia

Sunday, November 10, 2013

" Testaments of Honour "


Last night I was invited out for supper at my artist friend's house and joined a group of lively individuals with good discussion, great food, candle light and a warm wood fire. I felt very grateful and happy.

Being Remembrance day tomorrow, I've been thinking a great deal about war, veterans, soldiers and peace, over the past few weeks leading up to this time.
 After supper we were talking about Alex Colville, and the effect his war experience had on him personally, and on his art work and practice.

I had mentioned to my friend how Alex Colville had donated the gift of his silk screened renderings to the Owens Gallery at Mount Allison University, not long before he'd died, where he had once been an art student and a teacher.

We talked at length, and then she brought out a printed excerpt from the book, " Testaments of Honour ". This book by Blake Heathcote is a compilation of personal histories of Canadian war veterans.
In this print out, was Alex Colville's personal testament, which my friend lent me to read. He had served in the Royal Canadian Engineers Regiment in North Western Europe, as a war artist, during the Second World War.

 I had more of an in depth perception of who Alex Colville was, upon reading about his own insightful thoughts, and experience of the war, how this shaped who he was as a person, and an artist.

Wednesday, November 6, 2013

Alex Colville's Gift



I was unable to attend this special event last Saturday evening at my Alma Mater, Mount Allison University. This was on CBC TV and I wanted to share it. Very exciting and a wonderful gift! Thank you Mr. Colville for your work and for your life!

Thursday, September 5, 2013

Self-Worth, Value, & The Real Thing

Here it is, September already. Labour Day is behind us, and after a month of not writing any blog posts, I've been putting my energies into my daily long hand journaling. I haven't been contemplating my belly button exactly, nor  having "Deep Thoughts" like those of SNL's, Jack Handy, but being introspective about family and life. I know this isn't anything new, but it is an essential luxury to have the down time to do this in life. A big part of this for me is why I write. It's like going into the woman cave and emerging, renewed, regrouped, gettin' my groove back, which I surely will need in the wooly days of Winter.

Summer has been full of emotional ups and downs, having attended a family funeral, and a wedding within a two week period, experiencing many intense happy-sad feelings, along with very significant deep healing that took place within my family, for which I am very grateful.

I am also very grateful and happy to share with you, that I had some very exciting developments happen around my art work, with the exception of one art experience, that made for disappointment, but not surprize, however another important lesson was learned, hopefully not to be repeated! I will spare you the gory details, suffice to say I read an article, In Search of The Real Thing , written by Meg Wolitzer, from FT Magazine , that helped me to better recognize and come to terms with some of the very unpleasant realities many artists confront within the art world and in living every day.

"It seems that we recognize talent far more easily when it’s accompanied by success. " - Meg Wolitzer .

This simple, yet powerful statement helped to clarify, and to affirm my sense of value and passion for creativity, the work I do, and who I am as an artist.




Last month, I sold two of my paintings, which I was over the moon about, and certainly gave me a great deal of encouragement. There is nothing quite like the feeling you get from selling your work, especially to someone who really appreciates what it is you actually do as an artist. They get you! Simultaneously, it is just as greatly appreciated monetarily, by an artist who struggles financially in a society who much of the time undervalues the artist, and creativity.
These are the two egg tempera paintings I sold, which were part of a series entitled, Women of War.




Following this celebratory event, on August 19th - September 1st, I participated in a group exhibit at the Tourist Trap, located in Musquidobit Harbour, in support of a cause close to my heart, Hope For Wildlife. There were six artists, including myself. They were, Mindy Harris, Anne-Renee Dumont, Kim Dano, Timothy Ediger, Adele McFail.




Crescent Moon Bear
Seal Skin Soul Skin
Wolf Woman
Unfortunately, I was unable to attend the opening because of my seemingly, never ending car problems. I had three paintings submitted, two of them for sale, with 60% going directly to Hope For Wildlife. Prints were produced of the original paintings, and all the income from these will be going toward the santuary.

This month I will be submitting two egg tempera paintings on six by six inch masonite tiles. These will be part of an exhibition to be held, in October 17th - November 3rd 2013, at the Craig Gallery, Alderney Landing, Dartmouth, Nova Scotia, for The 15th Annual Mosaic For Mental Health 2013 Art Exhibition & Sale, with the Theme. Transformation & Triumph. All proceeds toward the support of Social Programs provided by the Canadian Mental Health Association, Halifax-Dartmouth Branch. For more information  you can visit http://mosaicformentalhealth.wordpress.com/

So now that September has arrived my thoughts are of very fond memories of attending Mount Allison University, and am nostalgically thinking about all the new and returning students as the University year begins. I am however, grateful to have no worries or concerns about pending assignments, and the many stresses related to being a student.

 I am very content these days to find myself settled into my routine of making art and following my passion for the creative process. In between my art making, I work in my garden, and am happily canning my harvest and labour at stacking four cord of Winter wood.

Life is very good as an artist, that I wouldn't trade for the world, inspite of my lack of funds, and lack of so called "success".  I look forward to the Fall, and even the Winter here in Nova Scotia, living one day at a time, in the countryside, putting my talents to good use, today and every day, in the coming year and into a hopeful future.

Saturday, May 11, 2013

Creative Mothers/ Family of Origin/ Family of Choice




My mother was  a piano player, and a singer. One of my most vivid memories as a little girl, was of her playing the piano, while I, in an ethereal state of mind, imagining I was a wonderful ballerina, as I swirled, twirled myself, and with arms flailing, moving all around the living room. She didn't blink an eye, but simply applied her talent and serious attention to supporting this budding ballerina.
Much later in life, when we would talk about this, and laugh, she admitted to me, she would sometimes have to leave to room laughing. I never had a clue. We were often involved in these ballet performances together, whether it was in our living room or in a theatre hall, which she would take me to at Christmas to see Swan Lake or the Nutcracker. She knew how much I loved dance,and she appreciated any kind of creative and cultural activity, be it musical, theatre or art.

Once I'd disappeared into the basement, where I constructed and painted an odd looking wooden giraffe. She was thrilled regardless of it being odd. For years into my adult hood she'd always proudly display my strange abstract art, and self portraits. My mother always supported my creativity, and desire to study art, making sure I had early art lessons with painting supplies. She was a very creative person. Her own creative endeavors always inspired, and encouraged my own pursuit of artistic goals. She never once discouraged me with statements like, " You'll never get a job being an artist " or " Why would you want to become an artist, you'll never make any money at that. ", and all the other kind of negative and soul crushing messages children hear, especially if they want to become some kind of an artist.

Having grown up during the great depression, my mother was unable to attend  University and pursue her dream of studying music, at Mount Allison University in Sackville, New Brunswick. She was able to get music lessons and played for years in Church, at various venues around, and was able to even make a little money at it.

 When we would come back to the Maritimes from Ontario, we'd head over to Westcock to the little Anglican Church, nestled in the woods, where our Milner family Bible is, and she'd commence to playing that old pump organ. It's a beautiful memory.

She was very talented with her hands, always finding time to make hats, socks, rugs etc. She had the great patience to teach me knitting and crocheting, which is not and easy thing to do, with a rambunctious child. Fortunately, I was a fast learner with dexterous fingers. I always found it fascinating that my mum was ambidextrous using her left and right brain.

When we lived in Toronto I remember a very special day. It was raining and she decided we'd spend the day together and we went to a puppet store. I was crazy about puppets. I thought I'd died and went to heaven and she really was the best mum in the world to me. She bought me a marionette of a Flamenco dancer. Oh she was beautiful!

This Mother's Day, like most folks, I'm thinking about my mother, and though she has left this mortal coil,  unbelievably, almost twenty years now, I think of her often and miss her always, especially this time of year.

My mum,  Sarah Helen (Milner) Meyers was not a feminist, as she grew up in a time when the word didn't exist. She was an amazingly strong  and good woman, in that she brought my brother and I up mostly single handed, working hard as a receptionist, from the time I was a toddler, and made her way through life in spite of the many very difficult obstacles she had to over come, and deal with. She helped and allowed me to find my own way, instilled, and imparted  her strong faith, and good values, that I aspire to live up to through her example.
 I am forever grateful to her. She was not perfect, but she was perfect for me. I love and miss her so much and I carry her close in the heart of my heart everyday, and I hear her gentle voice guiding me often.

On Saturday, November 18th, 1995 my mother died. I had come home early from a meeting with a treat for her and found her barely breathing and not conscious.
The same day my mother was dying in hospital, my father was also admitted after having alcoholic induced psychosis. He wasn't aware my mother was dying a floor below him. We had been separated for 26 years and recently had been reunited, after I hunted him down.

At this time, throughout that year, I had been keeping my first life changing morning pages journal, a companion book to Julie Cameron's book, The Artist's Way . My daily writing in this journal allowed me to process the great grief of losing my mother, and closest life friend.
 I also had a year into my own recovery from alcoholism. When the first year after my mother's death rolled around, I didn't know what to do, nor know how to process my deep grief. I was at a complete loss, and very close to a breakdown. It then suddenly dawned on me to go back, and read what I had written on that November day.
It was a healing balm, like God was speaking through my own written words to comfort. It gave me such a strength and peace of mind to cope with so much.

That day, I'd also found the one and only  recording I done of my mother playing the piano in our living room, which she did everyday, even when she lost her eyesight to macular degeneration late in life. She then through memory, and a good ear, taught herself to play again without her sheet music. Hearing her play that music once again, was very consoling and helped me to grieve, to begin the long healing process.

I would love to tell you things got better from here on in, but they didn't. I went on to have an emotional breakdown, that no one but me, and those morning pages, knew about, and I hid it all very well, or so I thought, especially from myself. How wrong I was. What followed but a shit load of hard emotional work, through the help and support of three different 12 Step programs, where I found many mothers, fathers, brothers and sisters; my family of choice, through the fellowship of a God given program ,for over the past 18 years.
Westcock/British Settlement Kids - near Sackville, New Brunswick

Today I had a lovely visit from a dear, sweet, and long time friend who I don't get to see very often, as she lives far away. She has become like a sister to me.
We had a heart to heart talk at the kitchen table, over a hot cup of tea, about our mothers,  our own lives and broken hearts.
I told her how truly very grateful I am, having had such a loving, beautiful, kind, trusting, forgiving and compassionate mother. I know there are many of us that do not. We can't choose our relatives. However the family we are born into, does not have to dictate to us, who we are. We have a choice, whether to be nurture a bitter root that will grow, invade and choke out our lives, or we can put ourselves, and our souls, into having a kind and giving heart, that will help to heal our wounds and even the wounds of others. We can also have families of choice, that can give us what we need.

After my friend left this afternoon, I thought to myself, I am going to email her, tell her how much I love her, and what she means to me. Then the door bell rang, it was her! She had returned, baring gifts and I was able to tell her face to face! We both hugged, shared a few tears and talked again. I gave her some books to read, that I thought would help her.
I've learned if you feel love, show love, and act on it.
As we exchanged our goodbyes, we both acknowledged we were feeling better.

Whomever you mother/father/sister or family is, tell them you love them, show them what they mean to you, you'll all feel better for it.

I am  happy to share this picture of my Amaryllis that  bloomed in a very timely fashion during this Mother's Day weekend. I like to think it did so just for my mother.

Happy Mother's Day Sarah Helen,
and to all of our mothers.

Sunday, April 28, 2013

Mary Pratt - The Love of the Simple Things

While slothfully lying in bed as I often do Sunday mornings, my ears were glued to the radio listening to a CBC inteview with Canadian artist, Mary Pratt. I don't know when it was I first became familiar with her work, but I know when I first heard her speak, I felt so much affection for her, because she has one of those infectious personalities that makes you feel like you know this person, as a friend. Every time I'd hear her I'd feel more this way, and this morning it was no different. Her wit, humble nature, and talent is so wonderful to me, which causes me to long for the chance to meet her one day.

What struck me most about what she said, was her attitude toward loving and appreciating the simple things around us in our everyday lives. It made me think once again about simplicity, which has been on my mind a lot lately.

This is one of Mary Pratt's realistic renderings. Just amazing how beautifully and skillfully she captures the light and colour.

A close and long time friend of mine just sent me  one of Anne Lamott's recent books entitled, Help. Thanks .Wow. The Three Essential Prayers. Anne Lamott is one of my very favourite non-fiction authors, because she makes the simple deeply meaningful, with a real honest attitude and she has great sense of humour and humanity, as does Mary Pratt, who depicts her subject matter, as being what the stuff of every day life is made up of.

As I age, I increasingly realize as time passes, how important it is to keep it simple, to find love, pleasure, and gratitude in the present moment. Finding happiness and contentment wherever you find yourself, and to grow, flourish and even thrive where you are planted.

Our lives in this world can be, and have become complicated in so many ways. We are either regreting the past or projecting into the future. We say I'd be happy if, or I'll be happy when, always looking outside of ourselves in search of that elusive happy state of mind.
Striving to capture and hold that present moment in time, or having a mindfulness with appreciation, relishing every bit of happiness with what we have, and being grateful to be able to do this, is what brings me happiness.

My day wasn't completely slothful. I had a simply enjoyable afternoon of making more rope baskets sitting on the front porch is the sunshine. Here's what I been making this week and into the weekend.




Tuesday, May 15, 2012

Three Years As Mature Student



I felt it appropriate to write a before and post-graduation reflection over the past three years as a mature student at Mount Allison University, in the Fine Arts program, which has been the most challenging thing I have ever done in my life.

The challenges and struggles in life that are really worthwhile are always accomplished and overcome I believe, with the support, help and generosity of from others. I am hear to attest to that and to say a huge thank you to all those who helped me along the way, and I would never been able to do it otherwise.


So many highlights of  the Convocation Graduation Ceremony yesterday, but I'd like to share just a few. The anticipation and long wait was all part of the excitement which was the build up of the final moment when our row of very overheated BFA Graduates headed to the stage.

I was completely in the present moment and even forgot that my pantyhose felt like they were hanging and dropping down around my knees! I was trying to listen to my posse of childhood girlfriends hoot and holler, as they promised they would and they did deliver, tears and all!

As I headed over to get hooded  in front of Peter Mansbridge, probably the most trusted Canadian news man ever, is Mount Allison University's Chancellor. Each graduate kneels before the Chancellor, while he shares perhaps words of wisdom or you tell him how honoured you are to meet him, how much he is loved by your mother, or ask what his favourite sandwich is and ask if he has one because you are starved! He has the most beautiful kind eyes. Meeting him was the greatest thrill.

Then I found out I had been given the Catherine MacDonald- Arsenault Memorial Prize, awarded to a graduating mature student who has demonstrated perseverance and determination in the pursuit of his/her Mount Allison Degree. I thought they must have been confusing me with some one else because it was a complete surprize to me. My friends and class mates knew before I did! I was completely verklempt when I walked off the stage and there was my very dear friend Lois ready to take pictures and give me a big hug while giving me a shoulder to blubber on!

Being a mature student has been a struggle and a challenge right up to the very last day. I thought it might get easier, but it didn't, other than I knew I had the strength to jump, go around, through or over each hurdle ahead, one at a time, one day at a time, sometimes one moment at a time, and this made all the difference. If I hadn't had this kind of daily practice of  living in the present moment, without projecting into the future, I would have been dead in the water a long time ago. When you go through this walk of fire, you find out what you are made of, and hopefully can enable or help some one else going through a similar circumstance.

This sharing is what makes it all worth while. I am simply passing on what was so freely given to me. I can't ever begin to repay the gifts, strength, hope and example given to me by others, who sustained and inspired me to keep going,  to achieve my goals, and to fulfill my dreams.

I am so grateful that words cannot adequately express what I feel in my heart. All I can say is thank you, thank you, thank you for being the wind beneath my wings.

Tuesday, May 1, 2012

John Haney, A Photographer with a Capital "P"

Today I heard a great interview on Art Waves. The interview was with John Haney who was the Photography Technician at Mount Allison when I was there. He was a great teacher, photography mentor, a talented and gifted photographer and all around great guy. He was greatly missed at the Photo Department when he left. It was wonderful to hear his voice and I am grateful to have had him as a teacher and to call him my friend.

When I was trying to find a photograph of John's work to post, I decided on this barn located in Caledon Ontario, where John's family lives. We both lived here at one time. I was there many years ago as a young girl of ten. It was my favourite place to live in Southern Ontario and it's great horse country.


Saturday, November 19, 2011

Jerry Ropson and Narrative Art



Our Contemporary Art History class had a special guest, Jerry Ropson, visual artist, story teller and Assistant Professor at Mount Allison University, this past Wednesday. He gave an engaging presentation of his work and discussed his ideas surrounding narrative, in relation to his own art practice. All through the presentation he referred to his attachment to his woodshed at home and how he was given the chore of bringing in wood to the wood box from an early age. He had a love hate/relationship with this woodshed. His  attachment to wood splitting became a central theme of a large part of his art work. The woodshed was a very significant part of his psyche growing up and I think has been become symbolic of his deep connection with where he is from, his family and life in rural Newfoundland.

The fact that Jerry grew up in isolated Newfoundland close knit community, lends itself to story telling, making your own entertainment, which is embedded in a strong history of oral tradition. Unfortunately much of our own oral tradition has be lost within our North American culture, with the exception of some isolated communities and First Nations people. However I think it can be said, there is a revival of sorts happening, in the contemporary development of narrative arts.

Recently I sat down and spoke with Jerry about story telling. He shared with me the experience he had doing a residence with a woman known as the Dean of story telling, Gioia Timpanelli. She is definitely the consummate story teller. I think Jerry has been influenced Gioia Timpanelli, in the sense that this has been one of the life experiences that helped him to gain a sound understanding of his art practice enabling him to bring together his personal and professional art practice. Like Kiki Smith he has learned to trust his intuition and come to understand and appreciate his family and cultural heritage that are all part and parcel of his art practice and work.



While in New York City, I saw Tony Smith's sculpture, at The Whitney Museum, in New York City. My Professor Dr. Anne Koval informed me he was Kiki Smith's father. I have to say I am a great fan of Kiki Smith and find her art to be very much about narrative. She comes from a Catholic Irish family and I find it fascinating that she considers Catholicism to be about story telling. So much of the Catholic imagery, belief in the Virgin Mary, festivals and etc., directly and indirectly comes out of the Celtic history with worship of the Goddess, relating to archetype, and mythical stories through oral tradition.

Communication, language and oral tradition I have always been very drawn to. In particular story telling has been a constant in my life, which has been for me like numerous guideposts that help to form and confirm my belief that in order to grow, we must be willing to fail and make mistakes. This is what it means to be human.  Narrative art to me is a spiritual kind of journey and is about the human experience, and human beings as story telling creatures.

Friday, October 7, 2011

Eva Hesse, Sol Lewitt, Ideas, Great Art, Artists & Stories



I found a wonderful video today on line, concerning a letter from conceptual artist, Sol LeWitt,  which he wrote to his good artist friend, Eva Hesse. It employs a great sense of fun, play, and humour, considering the benefits of giving ourselves permission to have artistic expression, free from boundaries and preconceived notion or preoccupation with, what great art is, and what defines a great artist.

I am not a conceptual artist, though I attended one of the foremost Universities where conceptual art was the modus operandi. That said, I am always fascinated by the idea behind art work and the lives of artists themselves and how their ideas and lives inform their art practice.

One of my young Professors is a story teller and a visual artist. We sat down over the past week and we discussed his experiences with story telling. He serendipitously shared with me his opportunity to take some training with Gioia Timpnellia  who has been called, the Dean of American Story Telling. Gioia told him Eva Hesse was her best friend in art school. My Professor stated that he has also been a great fan of Eva Hesse. I first became a fan of  Eva Hesse,  in my Sculpture and Open Media classes and found her work and life very compelling. Tragically she died far too young
.

Sunday, September 25, 2011

This Is Water - David Foster Wallace

During these first few weeks of my last year of University, our fourth year Fine Art class met with our professor and my studio advisor, Leah Garnett, She coordinates all the goings on of our final year responsibilities and activities. Last Wednesday, she gave us a copy of a commencement address, written by the late David Foster Wallace. I hadn't take the time to read it, until the unforeseen synchronicity of my day this past week. I love it when this happens! I'd spent over two and a half, very frustrating hours, trying to wade through the machinations of Bell Aliant's seemingly never ending phone messages, calling several times, repeating the same thing over and over to a different person every time, to request the reconnection of my phone service and being sent on a goose chase all over town. While standing at the phone in the hallway at Gardner Fine Art Building, I'd found a copy of David Foster Wallace's address, that one of my fellow Fine Art students had left by the telephone. I thought to myself while being left on hold, I'll divert my frustration and turn it into a learning experience to avoid being sucked down the Bell Aliant black hole of "your time is important to us" and muzak vortex. Here is part of the audio of David's address, and I have copied and posted the completed written commencement address. What made it all the more meaningful, was learning that he'd suffered from clinical depression and committed suicide. His death was not in vain, as his message is a very a poignant reminder of why education really is the job of a lifetime, finding the Truth about life before death, experiencing and knowing the freedom that comes with attention, awareness and discipline. God bless David Foster Wallace. Oh and by the way, I was given a twenty three dollar phone credit for my trouble. I love when this happens.
The world of letters has lost a giant. We have felt nourished by the mournful graspings of sites dedicated to his memory ("He was my favourite" ~ Zadie Smith), and we grieve for the books we will never see. But perhaps the best tribute is one he wrote himself ... Special to MORE INTELLIGENT LIFE This is the comencement address he gave to the graduates of Kenyon College in 2005. It captures his electric mind, and also his humility--the way he elevated and made meaningful, beautiful, many of the lonely thoughts that rattle around in our heads. The way he put better thoughts in our heads, too. (Many thanks to Marginalia.org for making this available.) (If anybody feels like perspiring [cough], I'd advise you to go ahead, because I'm sure going to. In fact I'm gonna [mumbles while pulling up his gown and taking out a handkerchief from his pocket].) Greetings ["parents"?] and congratulations to Kenyon's graduating class of 2005. There are these two young fish swimming along and they happen to meet an older fish swimming the other way, who nods at them and says "Morning, boys. How's the water?" And the two young fish swim on for a bit, and then eventually one of them looks over at the other and goes "What the hell is water?" This is a standard requirement of US commencement speeches, the deployment of didactic little parable-ish stories. The story ["thing"] turns out to be one of the better, less bullshitty conventions of the genre, but if you're worried that I plan to present myself here as the wise, older fish explaining what water is to you younger fish, please don't be. I am not the wise old fish. The point of the fish story is merely that the most obvious, important realities are often the ones that are hardest to see and talk about. Stated as an English sentence, of course, this is just a banal platitude, but the fact is that in the day to day trenches of adult existence, banal platitudes can have a life or death importance, or so I wish to suggest to you on this dry and lovely morning. Of course the main requirement of speeches like this is that I'm supposed to talk about your liberal arts education's meaning, to try to explain why the degree you are about to receive has actual human value instead of just a material payoff. So let's talk about the single most pervasive cliché in the commencement speech genre, which is that a liberal arts education is not so much about filling you up with knowledge as it is about "teaching you how to think". If you're like me as a student, you've never liked hearing this, and you tend to feel a bit insulted by the claim that you needed anybody to teach you how to think, since the fact that you even got admitted to a college this good seems like proof that you already know how to think. But I'm going to posit to you that the liberal arts cliché turns out not to be insulting at all, because the really significant education in thinking that we're supposed to get in a place like this isn't really about the capacity to think, but rather about the choice of what to think about. If your total freedom of choice regarding what to think about seems too obvious to waste time discussing, I'd ask you to think about fish and water, and to bracket for just a few minutes your skepticism about the value of the totally obvious. Here's another didactic little story. There are these two guys sitting together in a bar in the remote Alaskan wilderness. One of the guys is religious, the other is an atheist, and the two are arguing about the existence of God with that special intensity that comes after about the fourth beer. And the atheist says: "Look, it's not like I don't have actual reasons for not believing in God. It's not like I haven't ever experimented with the whole God and prayer thing. Just last month I got caught away from the camp in that terrible blizzard, and I was totally lost and I couldn't see a thing, and it was 50 below, and so I tried it: I fell to my knees in the snow and cried out 'Oh, God, if there is a God, I'm lost in this blizzard, and I'm gonna die if you don't help me.'" And now, in the bar, the religious guy looks at the atheist all puzzled. "Well then you must believe now," he says, "After all, here you are, alive." The atheist just rolls his eyes. "No, man, all that was was a couple Eskimos happened to come wandering by and showed me the way back to camp." It's easy to run this story through kind of a standard liberal arts analysis: the exact same experience can mean two totally different things to two different people, given those people's two different belief templates and two different ways of constructing meaning from experience. Because we prize tolerance and diversity of belief, nowhere in our liberal arts analysis do we want to claim that one guy's interpretation is true and the other guy's is false or bad. Which is fine, except we also never end up talking about just where these individual templates and beliefs come from. Meaning, where they come from INSIDE the two guys. As if a person's most basic orientation toward the world, and the meaning of his experience were somehow just hard-wired, like height or shoe-size; or automatically absorbed from the culture, like language. As if how we construct meaning were not actually a matter of personal, intentional choice. Plus, there's the whole matter of arrogance. The nonreligious guy is so totally certain in his dismissal of the possibility that the passing Eskimos had anything to do with his prayer for help. True, there are plenty of religious people who seem arrogant and certain of their own interpretations, too. They're probably even more repulsive than atheists, at least to most of us. But religious dogmatists' problem is exactly the same as the story's unbeliever: blind certainty, a close-mindedness that amounts to an imprisonment so total that the prisoner doesn't even know he's locked up. The point here is that I think this is one part of what teaching me how to think is really supposed to mean. To be just a little less arrogant. To have just a little critical awareness about myself and my certainties. Because a huge percentage of the stuff that I tend to be automatically certain of is, it turns out, totally wrong and deluded. I have learned this the hard way, as I predict you graduates will, too. Here is just one example of the total wrongness of something I tend to be automatically sure of: everything in my own immediate experience supports my deep belief that I am the absolute centre of the universe; the realest, most vivid and important person in existence. We rarely think about this sort of natural, basic self-centredness because it's so socially repulsive. But it's pretty much the same for all of us. It is our default setting, hard-wired into our boards at birth. Think about it: there is no experience you have had that you are not the absolute centre of. The world as you experience it is there in front of YOU or behind YOU, to the left or right of YOU, on YOUR TV or YOUR monitor. And so on. Other people's thoughts and feelings have to be communicated to you somehow, but your own are so immediate, urgent, real. Please don't worry that I'm getting ready to lecture you about compassion or other-directedness or all the so-called virtues. This is not a matter of virtue. It's a matter of my choosing to do the work of somehow altering or getting free of my natural, hard-wired default setting which is to be deeply and literally self-centered and to see and interpret everything through this lens of self. People who can adjust their natural default setting this way are often described as being "well-adjusted", which I suggest to you is not an accidental term. Given the triumphant academic setting here, an obvious question is how much of this work of adjusting our default setting involves actual knowledge or intellect. This question gets very tricky. Probably the most dangerous thing about an academic education--least in my own case--is that it enables my tendency to over-intellectualize stuff, to get lost in abstract argument inside my head, instead of simply paying attention to what is going on right in front of me, paying attention to what is going on inside me. DAVID FOSTER WALLACE in his own words As I'm sure you guys know by now, it is extremely difficult to stay alert and attentive, instead of getting hypnotized by the constant monologue inside your own head (may be happening right now). Twenty years after my own graduation, I have come gradually to understand that the liberal arts cliche about teaching you how to think is actually shorthand for a much deeper, more serious idea: learning how to think really means learning how to exercise some control over how and what you think. It means being conscious and aware enough to choose what you pay attention to and to choose how you construct meaning from experience. Because if you cannot exercise this kind of choice in adult life, you will be totally hosed. Think of the old cliche about "the mind being an excellent servant but a terrible master". This, like many cliches, so lame and unexciting on the surface, actually expresses a great and terrible truth. It is not the least bit coincidental that adults who commit suicide with firearms almost always shoot themselves in: the head. They shoot the terrible master. And the truth is that most of these suicides are actually dead long before they pull the trigger. And I submit that this is what the real, no bullshit value of your liberal arts education is supposed to be about: how to keep from going through your comfortable, prosperous, respectable adult life dead, unconscious, a slave to your head and to your natural default setting of being uniquely, completely, imperially alone day in and day out. That may sound like hyperbole, or abstract nonsense. Let's get concrete. The plain fact is that you graduating seniors do not yet have any clue what "day in day out" really means. There happen to be whole, large parts of adult American life that nobody talks about in commencement speeches. One such part involves boredom, routine and petty frustration. The parents and older folks here will know all too well what I'm talking about. By way of example, let's say it's an average adult day, and you get up in the morning, go to your challenging, white-collar, college-graduate job, and you work hard for eight or ten hours, and at the end of the day you're tired and somewhat stressed and all you want is to go home and have a good supper and maybe unwind for an hour, and then hit the sack early because, of course, you have to get up the next day and do it all again. But then you remember there's no food at home. You haven't had time to shop this week because of your challenging job, and so now after work you have to get in your car and drive to the supermarket. It's the end of the work day and the traffic is apt to be: very bad. So getting to the store takes way longer than it should, and when you finally get there, the supermarket is very crowded, because of course it's the time of day when all the other people with jobs also try to squeeze in some grocery shopping. And the store is hideously lit and infused with soul-killing muzak or corporate pop and it's pretty much the last place you want to be but you can't just get in and quickly out; you have to wander all over the huge, over-lit store's confusing aisles to find the stuff you want and you have to man-oeuvre your junky cart through all these other tired, hurried people with carts (et cetera, et cetera, cutting stuff out because this is a long ceremony) and eventually you get all your supper supplies, except now it turns out there aren't enough check-out lanes open even though it's the end-of-the-day rush. So the checkout line is incredibly long, which is stupid and infuriating. But you can't take your frustration out on the frantic lady working the register, who is overworked at a job whose daily tedium and meaninglessness surpasses the imagination of any of us here at a prestigious college. But anyway, you finally get to the checkout line's front, and you pay for your food, and you get told to "Have a nice day" in a voice that is the absolute voice of death. Then you have to take your creepy, flimsy, plastic bags of groceries in your cart with the one crazy wheel that pulls maddeningly to the left, all the way out through the crowded, bumpy, littery parking lot, and then you have to drive all the way home through slow, heavy, SUV-intensive, rush-hour traffic, et cetera et cetera. Everyone here has done this, of course. But it hasn't yet been part of you graduates' actual life routine, day after week after month after year. But it will be. And many more dreary, annoying, seemingly meaningless routines besides. But that is not the point. The point is that petty, frustrating crap like this is exactly where the work of choosing is gonna come in. Because the traffic jams and crowded aisles and long checkout lines give me time to think, and if I don't make a conscious decision about how to think and what to pay attention to, I'm gonna be pissed and miserable every time I have to shop. Because my natural default setting is the certainty that situations like this are really all about me. About MY hungriness and MY fatigue and MY desire to just get home, and it's going to seem for all the world like everybody else is just in my way. And who are all these people in my way? And look at how repulsive most of them are, and how stupid and cow-like and dead-eyed and nonhuman they seem in the checkout line, or at how annoying and rude it is that people are talking loudly on cell phones in the middle of the line. And look at how deeply and personally unfair this is. Or, of course, if I'm in a more socially conscious liberal arts form of my default setting, I can spend time in the end-of-the-day traffic being disgusted about all the huge, stupid, lane-blocking SUV's and Hummers and V-12 pickup trucks, burning their wasteful, selfish, 40-gallon tanks of gas, and I can dwell on the fact that the patriotic or religious bumper-stickers always seem to be on the biggest, most disgustingly selfish vehicles, driven by the ugliest [responding here to loud applause] (this is an example of how NOT to think, though) most disgustingly selfish vehicles, driven by the ugliest, most inconsiderate and aggressive drivers. And I can think about how our children's children will despise us for wasting all the future's fuel, and probably screwing up the climate, and how spoiled and stupid and selfish and disgusting we all are, and how modern consumer society just sucks, and so forth and so on. You get the idea. If I choose to think this way in a store and on the freeway, fine. Lots of us do. Except thinking this way tends to be so easy and automatic that it doesn't have to be a choice. It is my natural default setting. It's the automatic way that I experience the boring, frustrating, crowded parts of adult life when I'm operating on the automatic, unconscious belief that I am the centre of the world, and that my immediate needs and feelings are what should determine the world's priorities. The thing is that, of course, there are totally different ways to think about these kinds of situations. In this traffic, all these vehicles stopped and idling in my way, it's not impossible that some of these people in SUV's have been in horrible auto accidents in the past, and now find driving so terrifying that their therapist has all but ordered them to get a huge, heavy SUV so they can feel safe enough to drive. Or that the Hummer that just cut me off is maybe being driven by a father whose little child is hurt or sick in the seat next to him, and he's trying to get this kid to the hospital, and he's in a bigger, more legitimate hurry than I am: it is actually I who am in HIS way. Or I can choose to force myself to consider the likelihood that everyone else in the supermarket's checkout line is just as bored and frustrated as I am, and that some of these people probably have harder, more tedious and painful lives than I do. Again, please don't think that I'm giving you moral advice, or that I'm saying you are supposed to think this way, or that anyone expects you to just automatically do it. Because it's hard. It takes will and effort, and if you are like me, some days you won't be able to do it, or you just flat out won't want to. But most days, if you're aware enough to give yourself a choice, you can choose to look differently at this fat, dead-eyed, over-made-up lady who just screamed at her kid in the checkout line. Maybe she's not usually like this. Maybe she's been up three straight nights holding the hand of a husband who is dying of bone cancer. Or maybe this very lady is the low-wage clerk at the motor vehicle department, who just yesterday helped your spouse resolve a horrific, infuriating, red-tape problem through some small act of bureaucratic kindness. Of course, none of this is likely, but it's also not impossible. It just depends what you want to consider. If you're automatically sure that you know what reality is, and you are operating on your default setting, then you, like me, probably won't consider possibilities that aren't annoying and miserable. But if you really learn how to pay attention, then you will know there are other options. It will actually be within your power to experience a crowded, hot, slow, consumer-hell type situation as not only meaningful, but sacred, on fire with the same force that made the stars: love, fellowship, the mystical oneness of all things deep down. Not that that mystical stuff is necessarily true. The only thing that's capital-T True is that you get to decide how you're gonna try to see it. This, I submit, is the freedom of a real education, of learning how to be well-adjusted. You get to consciously decide what has meaning and what doesn't. You get to decide what to worship. Because here's something else that's weird but true: in the day-to-day trenches of adult life, there is actually no such thing as atheism. There is no such thing as not worshipping. Everybody worships. The only choice we get is what to worship. And the compelling reason for maybe choosing some sort of god or spiritual-type thing to worship--be it JC or Allah, be it YHWH or the Wiccan Mother Goddess, or the Four Noble Truths, or some inviolable set of ethical principles--is that pretty much anything else you worship will eat you alive. If you worship money and things, if they are where you tap real meaning in life, then you will never have enough, never feel you have enough. It's the truth. Worship your body and beauty and sexual allure and you will always feel ugly. And when time and age start showing, you will die a million deaths before they finally grieve you. On one level, we all know this stuff already. It's been codified as myths, proverbs, clichés, epigrams, parables; the skeleton of every great story. The whole trick is keeping the truth up front in daily consciousness. Worship power, you will end up feeling weak and afraid, and you will need ever more power over others to numb you to your own fear. Worship your intellect, being seen as smart, you will end up feeling stupid, a fraud, always on the verge of being found out. But the insidious thing about these forms of worship is not that they're evil or sinful, it's that they're unconscious. They are default settings. They're the kind of worship you just gradually slip into, day after day, getting more and more selective about what you see and how you measure value without ever being fully aware that that's what you're doing. And the so-called real world will not discourage you from operating on your default settings, because the so-called real world of men and money and power hums merrily along in a pool of fear and anger and frustration and craving and worship of self. Our own present culture has harnessed these forces in ways that have yielded extraordinary wealth and comfort and personal freedom. The freedom all to be lords of our tiny skull-sized kingdoms, alone at the centre of all creation. This kind of freedom has much to recommend it. But of course there are all different kinds of freedom, and the kind that is most precious you will not hear much talk about much in the great outside world of wanting and achieving.... The really important kind of freedom involves attention and awareness and discipline, and being able truly to care about other people and to sacrifice for them over and over in myriad petty, unsexy ways every day. That is real freedom. That is being educated, and understanding how to think. The alternative is unconsciousness, the default setting, the rat race, the constant gnawing sense of having had, and lost, some infinite thing. I know that this stuff probably doesn't sound fun and breezy or grandly inspirational the way a commencement speech is supposed to sound. What it is, as far as I can see, is the capital-T Truth, with a whole lot of rhetorical niceties stripped away. You are, of course, free to think of it whatever you wish. But please don't just dismiss it as just some finger-wagging Dr Laura sermon. None of this stuff is really about morality or religion or dogma or big fancy questions of life after death. The capital-T Truth is about life BEFORE death. It is about the real value of a real education, which has almost nothing to do with knowledge, and everything to do with simple awareness; awareness of what is so real and essential, so hidden in plain sight all around us, all the time, that we have to keep reminding ourselves over and over: "This is water." "This is water." It is unimaginably hard to do this, to stay conscious and alive in the adult world day in and day out. Which means yet another grand cliché turns out to be true: your education really IS the job of a lifetime. And it commences: now. I wish you way more than luck.

Thursday, September 15, 2011

Colman Barks and Rumi

It is the end of my school week today. My week may have come to an end but it is just getting started actually, and I am looking forward to it. I have lots of blogging to catch up on, reading, homework and painting to do. I got a drive all the way to school this morning, and all the way home this afternoon. I'm still hitch hiking but this is soon to come to an end I hope! My student loan came in today, just when it was suppose to, which means a whole lot of changes shortly! I had a good week. I got moved into my new studio space which is awesome, to be in 4th year studio space, with a real good bunch of folks. I think it is going to be a lot of fun. So exciting fourth year! I saved a friend this week from pending death, from an oncoming car. Wow was I ever thankful I was able to do that! I hate to think about the possible outcome. I started my History of Film class which should be very interesting, as it involves looking at Japanese Film and it's culture. It's going to be a lot of work culminating in a research paper. I'm ready to take it on! A friend shared this video with me today and I wanted to post it. It was just what I needed, to finish off my school week. I love Rumi and I love Coleman Barks. I hope you enjoy this as much as I did. Just a little treat for myself and I hope a treat for you.

Wednesday, September 7, 2011

Second Day of School

I am not planning on writing about each and everyday at school but I wanted document and share what my new classes  are about, that I am scheduled for this year.

I am extremely tired as I was awake at the ungodly hour of 3 a.m., much earlier than I expected as four was when I need to get up if I am going to gt a ride first thing in the morning with the only ride that will get me to Amherst at 5:10 a.m. to connect with the Fine Art Department Administrative Assistant, who picks me up in town and we head to Sackville. I am aiming to get into the habit of daily journaling and to get my homework done before I get horizontal.

Hopefully I am going to get a much needed second hand vehicle within the next few weeks as soon as my student loan dough arrives. I've been without a car for over six months now. Needless to say it makes for very long days having to dig out of bed shortly after I get into it! It's hard on the head not to mention my 58 year old body! I know how the Zombies feel and by the end of the next two weeks before I get that car, I am also going to know what they look like, when I look in the mirror.

So today we had Contemporary Art from 1970  up to present day. Anne Koval is our most excellent Professor and it is going to be a dynamite class, involving journaling, miniature art, a review of an art exhibit of our choice, and "Conversation With The Artist" interview of our own choice and lots of visiting and guest artists. Finally, last but not least, no exams, no tests, no essays, which is miraculous in my estimation.

When I was a student, back in the day, at the Nova Scotia College of Art & Design, it was all about the exam, the tests, the essays, the memorization. 

I have to say, I love change, change is good, and I am so grateful I got to experience those changes! It makes learning so much fun, just the way it should be. I would say that if you aren't having fun while you are learning, chances are you aren't learning much. If nothing else at least you should be enjoying yourself!

Tuesday, August 30, 2011

The Purposes of Education




Today in a discussion group I belong to on linkedin.com the question was put on there. " Can a self taught artist be as successful as an artist with an education?"

This is what I have to say about that.


I know artists without formal education whom have gone on to be very successful, however there is of course never any guarantee for success, if you are speaking  monetarily, regardless of one's education or circumstance. Education is a very personal choice that one makes as an artist, and the word success is relative. I can only speak from my own experience.

 I was not a good student, in an system that does not foster or encourage creativity. I did have a thirst for knowledge, which I believe is what needs to underpin any educational pursuit.

I have chosen to return to University at the age of 56 years of age, which has been both challenging and simultaneously, one of the best experiences, in my life time for so many reasons.

As a younger art student, I attended NSCAD from 1971- 1979. I was neither ready, nor  prepared for University. One needs to be ready and to choose the right program, with the right Professors. Unfortunately, at 27 I was unable to complete my degree, as I  suddenly found myself a widow, after being newly married for only four months, in my last year of University and was unable to return, which always weighed heavy on my heart.

Now, as a mature student, I will finally graduate at the age of 59 with my BFA from a wonderful Fine Art Department and University, in eight months time. In the near future I hope to continue on in pursuit of an MFA.

And so I will say, yes, I greatly value my formal education,  even though in the past I was never the best student. I am  now getting As and Bs and I have fulfilled the dream of returning to complete my degree.

I have been blessed with an experience, that for me, is second to none. I am constantly inspired by fellow students, artists and professors who stimulate, motivate the intellect and creative spirit, making all the difference in my life, as a person and as an artist. It is about the quality of what I learn, from quality teachers, and simultaneously from the quality of the creative process, in my own art practice.

My fellow students keep me young, inspire, educate me, and because of my own experience, I can mentor many of them, in a mutually respectful exchange, which I find very rewarding, having been a Youth Care Worker for over 20 years.

We are never to "old " for learning, Life is for learning. I am here to say, if you are thinking about going back to University, but are hesitating, especially if you think it's too late, or you are too "old", or for what ever reason. Make sure you choose the right University, the right program, with the right professors and you will not regret it.

There are so many in this world who have no hope or opportunity to attend University. I am so very grateful I have that opportunity, and I intend to take every advantage that I can of it, as I do not take it for granted.

In conclusion yes, you do not have to go to University to get an art education but why wouldn't you want to, if you have the opportunity. It will only enrich your life, as an artist and as a person and bring you much happiness.

 " It's not the pursuit of happiness, it's the happiness of the pursuit."

Wednesday, March 16, 2011

The Rail View Camera & My Heuristic Professor


This is a large format photo I took with a rail view camera, of my most excellent Professor, mentor and friend, Thaddeus Holownia, during a class field trip, to Rockport, New Brunswick.

Many years ago, I first heard the name, Thaddeus Holownia, after perusing one of those little independent book stores where you loose yourself, and all track of time and space in that special find.

I looked at one of these, a photography book, by Thaddeus, and wondered who was this mysterious man, who took the most amazing photos of the marshes I grew up around. His name alone was enough to intrigue anyone.

Little did I know or even imagine years later I would have the opportunity to study photography under him, as the Head of the Fine Art Department at Mount Allison. I found out he is just a regular guy who has an exceptional passion for life and captures that through his heart by way of the lens of a view camera, oh and happens to have a great name you don't soon forget.

As my third year is winding down, I am reflecting on what I have learned and am excited to be going into my fourth year. I have decided I will once again, embark upon another photographic adventure. I know it has been a love/ hate relationship for me with photography and has been at times my nemesis, but it is has all been and will continue to be, a worthwhile struggle. I see that, as a painter, there is a strong connection between the two mediums and I am really just beginning to understand what that connection is
.

It is really is all about enjoying the journey not the destination, one day at a time.