Wednesday, August 26, 2015

Drawing People From Life

This portrait of fellow artist Lynn Rotin, by Catherine MacLean, is part of MacLean’s series of portraits completed in live sittings.- Photograph Elissa Barnard


My beautiful friend, mentor, and fellow artist Catherine Maclean I first met several years ago, when she came with her husband to live in the nearby coastal village of Advocate Harbour.

Catherine is a wonderfully creative, hardworking, very intelligent,and personable individual with whom I have come to respect and love very much.

She may not realize how much she influenced my decision to return to University to finish my Bachelor of Fine Art Degree.
It was Catherine I first told between the years of  2007- 2008 that I was seriously considering returning to University to finish my degree after being out of school for 30 years. She gave me the affirmation I needed.

Her attitude was so supportive, understanding, and shared with me she had done the same thing a number of years back. We both attended the same art schools  during different periods of time. We discovered from there on in how very much we had in common, and have been close friends ever since.

I am posting an article written by Elissa Barnard, that was published recently written about Catherine's most recent exhibition, entitled "People".

Catherine is very much a people person in that she takes a genuine interest in them, and loves to interact with others, and so her portraiture drawings, and paintings are very much a reflection of this connection she makes with her fellow human beings.

Tuesday, August 25, 2015

Who Wants To Go To Dismaland?


Part of an installation is seen at Banksy's 'Dismaland' exhibition at a derelict seafront lido in Weston-Super-Mare, England. (Matthew Horwood/Getty)
While listening to CBC Radio 'Q' yesterday morning on the topic of Banksy's Dismaland art project, located in the seaside town of Weston Super Mare, England, I was left feeling that any criticism of Banksy is not so acceptable because his work is considered almost sacrosanct. 
Personally I thought the Canadian art critic RM Vaughan made some very valid, and relevant points, in spite of the fact that he did not see Dismaland.

His comments resounded with me being a fellow Maritimer, who well understands the tiredness and poverty that exists in small rural areas, as I live in one. Artists and locals often rely on tourism to bring in the dough to alleviate our financial hardships, declining economy, natural resources, and increasingly aging population.

If artists or people in general have no sense of humour toward difficult circumstances we'd be unable to survive. Bansky understands this as well.

RW Vaughan's comments made me hearken back to my art school days when he referenced that seemingly oppositional defiant, clever art student, full of snark, who appears to know everything in class. Turns out he's mostly a jerk, when you go for a beer with him afterward. I had a little nostalgic snort and giggle.
To be clear I am not saying Banksy is the jerk in this case, as RW Vaughan stated he's just preaching to the choir.

When Damien Hirst 's name came up in the conversation my ears perked up.
Damien Hirst has in many ways become the “ it boy”, and, perhaps even a victim of his own persona, that represents all that is superficial, shallow, capitalistic and self-absorbed and dishonest within the art market. In light of accusations and legal charges made against him, being accused several times of art plagiarism, including the public controversial comments he has made, leads one to seriously question his scruples and integrity. In many of his public statements his lack of integrity is evident, “ I can’t wait to get into a position to make really bad art and get away with it. At the moment if I did certain things people would look at it, consider it and then say ‘f off”. But after a while you can get away with things.” Julian Spalding, The New York Times 2008

I have to say, much of the behaviour and attitude exhibited by Damien Hirst was a result of abuse and use of substances and one needs to take this circumstance into consideration when judging his work and who he is as a person taking into account that he no longer is the same person as he was in earlier years. That said, the body of painting has produced more recently, I appreciate and I would conclude he has more to contribute as a painter.

I think Banksy has a different kind of scruples and personality than Damien Hirst.

As RW Vaughn stated I agree his politics hasn't changed. If the basic premise is to educate an uniformed public with answers instead of questions, he may very well be "preaching to the choir" and Dismaland has mostly captivated his art smart fans as opposed to the so called locally uniformed.

I am of the opinion like Damien Hirst, Banksy he has also perhaps become a tired victim of his own persona, but I do think the art world is taking advantage of the "it boy" status, and exploitative for capital gain, and in the very ways that Banksy's purports to abhor about the art world.

Sunday, August 23, 2015

The Pleasure of Creativity - Art Isn't Art Unless It's Shared

The Emperor - Egg Tempera of Porcelain Tile 6"x6"', 2015 - Catherine Meyers


Today I had the great pleasure of having an opening at The Art Lab in Parrsboro. The creative process of painting is a solitary thing for me. Some folks want to have the company of others when they are creating art. Not me.

Although making art is a very satisfying thing because it is solitary, sometimes you can feel isolated and almost detached from what you are doing, just you and your painting thoughts, and perhaps from time to time find yourself wondering why you are even involved with making art, and asking what it all means.

When you have the opportunity to have an opening with your peers and are able to share your work with others who appreciate what you do, suddenly it all makes sense, becoming a very rewarding and extremely satisfying experience. I am of the opinion that art isn't art, unless it is shared.

The exhibition will be up for three weeks until September 12th 2015.

Thursday, August 20, 2015

Opening This Week At The Art Lab Parrsboro Nova Scotia


The Empress/Demeter/Earth Mother/The Red Tent-Egg Tempera on Porcelain Tile, 6"x6" 2015 - Catherine Meyers

It's been a bit of a whorl wind this month, and I've been trying to avoid getting my underwear in a big knot, working on new pieces for this exhibit. My Tarot series of 22 Major Arcana paintings are coming along, and I'm in a creative groove. There will also be older pieces in this show that some folks might have seen before, others whom may have not.

I am very excited to be part of a thriving creative community of artists in the Parrsboro and surrounding areas.  

The professional development of artists and the creative economy contributes greatly to our quality of life and will continue to do so. Please come out, and support our local artists.


Opening this Weekend

Sunday August 23 - 2pm

Associate Artists

Catherine Meyers and Helen Wasson-Graham
Catherine Meyers
Helen Wasson-Graham

Please join us at 2pm on Sunday in celebration of the work of these two Associate Artists


Catherine Meyers
Catherine Meyers was born in 1953, in Amherst, Nova Scotia, Canada. She grew up in Ontario after her parents relocated when she was six months old. Her family returned to Nova Scotia in 1968.

After attending the Nova Scotia College of Art & Design for four years in Halifax, during the 70s, she returned to study art again at the age of 56 as a mature student, at Mount Allison University, in Sackville New Brunswick, where she recently graduated with her Bachelor of Fine Arts Degree, receiving the Catherine Arsenault-MacDonald Memorial Award. This award is given to those mature students who exhibit perseverance and determination in achieving their degree.

During the period in between her art education she has worked as a Youth Care Worker for many years, as an Apprentice Welder and an Equestrian. She has had a varied and colourful life of experiences, from baking bagels at the Wild Cat Cafe, in Yellowknife, Northwest Territories, to teaching Middle Eastern Dance (Belly Dance) to fishermen' s wives in her small village at the local community hall.

http://catherinemeyersartist.blogspot.com

Helen Wasson-Graham
Helen Graham is a native of Parrsboro who for many years worked in Toronto and Southwestern Ontario before moving back to her hometown. She comes from a long line of seafarers. Her grandfather and father both worked on the sea with her grandfather, Capt. Walter Wasson owning many well-known Parrsboro schooners.

Helen has a sharp eye for color and detail, as illustrated in all her art work. She is a master quilter and in this medium too, her eye for matching colors and detail makes her work highly desirable.
“I love putting colors together to achieve an attractive theme in both quilts and paintings,” she says. Helen particularly thanks her mentor, Arlene Collins for first putting a paint brush in her hand.

“She inspired me to take my painting seriously. As you might expect, I'm very excited to have a show at the Art Lab. I hope friends and acquaintances will drop in to see my work.”

The Exhibition runs
August 23 - Sept 12

 
Art Lab Resident Artists - Krista Wells, Jill Langford, Krista Odlin-Levy , Michael Fuller

Is Making Money Art? Is Working Art? Is Good Business the Best Art?



I understand how there is corruption and greed that drives much of the business and political world. I despise both.

The 'art world' is no different unfortunately. The only art world that really seems to exists today, can be found thriving within the imagination of the creative individual, devoid of the primary goal being as much financial gain and wealth possible, regardless of the cost. Instead, the creative process, art for art's sake, for change, and having some kind of moral compass, is what is paramount to many creative individuals.

I'm not sure I believe in Andy Warhol's premise of, " Making money is art and working is art and good business is the best art. "

Andy Warhol made it very clear when he stated " I'm not a social critic".
I know it is essential that artist's be momentarily well compensated for the value of their work, to be able to make a living supporting themselves, like any one else. Making money is not art, working is not art, and good business is not the best art in my opinion. Making money is making money, working is working, and good business is good business.

Artist's do need to think and learn about business. That said, at what point do you begin to sell out your integrity, and your values for the almighty dollar? At what point do you leave the art world and join the art market? It's all good if your not a social critic and you can deaden your conscience.

I was motivated to write this blog post today by this article posted by a friend on Facebook. Thanks Jerald!

Wednesday, August 19, 2015

My Heuristic Teacher



Area resident Thaddeus Holownia (right), an internationally-renowned photographer and fine arts professor, has been honoured with the Order of New Brunswick. - Katie Tower Photographer Sackville Tribune

I once said to my fine art Professor, Thaddeus Holownia that teaching was like being a Youth Care Worker, which I had been for 20 some years, in that you either have the passion for it or you don't.
I told him it was obvious to me he had the passion for teaching. I went on to say you can always get the education, but not the passion.

And so I was so happy and proud to learn that my heuristic teacher had been recognized to the Order of New Brunswick.

Saturday, August 15, 2015

The Grandmothers

Spider Woman Art by Susan Sedon Boulet


There are a group of beautiful recovering women that I met twenty years ago in New Brunswick when I first got sober. They gather yearly and they are gathering again this month where they will celebrate one another and share in their talking circles. I have had the privilege in the past to attend a few times.

One year I'll never forget, there was a First Nations woman who late into the starlight night sky sang for us, among the trees, a hymn to the grandmothers in her native language I never forgot it because it was so powerful. I did a painting of her singing the hymn and sent it to her.

I was sent this video today and have to share it. I didn't get a chance to watch it until now after a long day and it was just what I needed.