Showing posts with label Julie Cameron. Show all posts
Showing posts with label Julie Cameron. Show all posts

Sunday, August 17, 2014

The Business of Being An Artist



Artists have always been challenged trying to find ways and means to support themselves financially. We aren't 'destined to be poor', but wow it sure can seem that way for many of us trying to make money from our creativity by way of trying to find a market for whatever we create.

I have spent many years reading, studying and learning how to go about this. I've come to two conclusions. Make a lot of art and educate yourself, learning everything you possibly can about marketing. Of course online marketing is essential today, if you want to be kept in the loop, but this does not substitute or suffice for doing the physical leg work of the artist, that is necessary to find a niche and to sell your work.

I've researched and Googled myself silly searching for online sites that have practical suggestions, advice and support for artists and have found quite a few helpful sites over the years. This week I found  a new one that impressed me. Unconventional Guides  its very helpful, especially if you are new to the online labyrinth of searching and you might find helpful. I have also listed below, links to some sites that I have used to assist me as an artist. I will update and add the list as I think of more.

Reading other artist's blogs, networking through social media, and simply being computer literate is a must and helps immeasurably!

http://juliacameronlive.com/
emptyeasel.com
http://www.artbusiness.com/artsite.html
http://artistswhothrive.com/
ArtBizCoach.com
fineartamerica.com
http://www.carfac.ca/
linkedin.com

Saturday, May 11, 2013

Creative Mothers/ Family of Origin/ Family of Choice




My mother was  a piano player, and a singer. One of my most vivid memories as a little girl, was of her playing the piano, while I, in an ethereal state of mind, imagining I was a wonderful ballerina, as I swirled, twirled myself, and with arms flailing, moving all around the living room. She didn't blink an eye, but simply applied her talent and serious attention to supporting this budding ballerina.
Much later in life, when we would talk about this, and laugh, she admitted to me, she would sometimes have to leave to room laughing. I never had a clue. We were often involved in these ballet performances together, whether it was in our living room or in a theatre hall, which she would take me to at Christmas to see Swan Lake or the Nutcracker. She knew how much I loved dance,and she appreciated any kind of creative and cultural activity, be it musical, theatre or art.

Once I'd disappeared into the basement, where I constructed and painted an odd looking wooden giraffe. She was thrilled regardless of it being odd. For years into my adult hood she'd always proudly display my strange abstract art, and self portraits. My mother always supported my creativity, and desire to study art, making sure I had early art lessons with painting supplies. She was a very creative person. Her own creative endeavors always inspired, and encouraged my own pursuit of artistic goals. She never once discouraged me with statements like, " You'll never get a job being an artist " or " Why would you want to become an artist, you'll never make any money at that. ", and all the other kind of negative and soul crushing messages children hear, especially if they want to become some kind of an artist.

Having grown up during the great depression, my mother was unable to attend  University and pursue her dream of studying music, at Mount Allison University in Sackville, New Brunswick. She was able to get music lessons and played for years in Church, at various venues around, and was able to even make a little money at it.

 When we would come back to the Maritimes from Ontario, we'd head over to Westcock to the little Anglican Church, nestled in the woods, where our Milner family Bible is, and she'd commence to playing that old pump organ. It's a beautiful memory.

She was very talented with her hands, always finding time to make hats, socks, rugs etc. She had the great patience to teach me knitting and crocheting, which is not and easy thing to do, with a rambunctious child. Fortunately, I was a fast learner with dexterous fingers. I always found it fascinating that my mum was ambidextrous using her left and right brain.

When we lived in Toronto I remember a very special day. It was raining and she decided we'd spend the day together and we went to a puppet store. I was crazy about puppets. I thought I'd died and went to heaven and she really was the best mum in the world to me. She bought me a marionette of a Flamenco dancer. Oh she was beautiful!

This Mother's Day, like most folks, I'm thinking about my mother, and though she has left this mortal coil,  unbelievably, almost twenty years now, I think of her often and miss her always, especially this time of year.

My mum,  Sarah Helen (Milner) Meyers was not a feminist, as she grew up in a time when the word didn't exist. She was an amazingly strong  and good woman, in that she brought my brother and I up mostly single handed, working hard as a receptionist, from the time I was a toddler, and made her way through life in spite of the many very difficult obstacles she had to over come, and deal with. She helped and allowed me to find my own way, instilled, and imparted  her strong faith, and good values, that I aspire to live up to through her example.
 I am forever grateful to her. She was not perfect, but she was perfect for me. I love and miss her so much and I carry her close in the heart of my heart everyday, and I hear her gentle voice guiding me often.

On Saturday, November 18th, 1995 my mother died. I had come home early from a meeting with a treat for her and found her barely breathing and not conscious.
The same day my mother was dying in hospital, my father was also admitted after having alcoholic induced psychosis. He wasn't aware my mother was dying a floor below him. We had been separated for 26 years and recently had been reunited, after I hunted him down.

At this time, throughout that year, I had been keeping my first life changing morning pages journal, a companion book to Julie Cameron's book, The Artist's Way . My daily writing in this journal allowed me to process the great grief of losing my mother, and closest life friend.
 I also had a year into my own recovery from alcoholism. When the first year after my mother's death rolled around, I didn't know what to do, nor know how to process my deep grief. I was at a complete loss, and very close to a breakdown. It then suddenly dawned on me to go back, and read what I had written on that November day.
It was a healing balm, like God was speaking through my own written words to comfort. It gave me such a strength and peace of mind to cope with so much.

That day, I'd also found the one and only  recording I done of my mother playing the piano in our living room, which she did everyday, even when she lost her eyesight to macular degeneration late in life. She then through memory, and a good ear, taught herself to play again without her sheet music. Hearing her play that music once again, was very consoling and helped me to grieve, to begin the long healing process.

I would love to tell you things got better from here on in, but they didn't. I went on to have an emotional breakdown, that no one but me, and those morning pages, knew about, and I hid it all very well, or so I thought, especially from myself. How wrong I was. What followed but a shit load of hard emotional work, through the help and support of three different 12 Step programs, where I found many mothers, fathers, brothers and sisters; my family of choice, through the fellowship of a God given program ,for over the past 18 years.
Westcock/British Settlement Kids - near Sackville, New Brunswick

Today I had a lovely visit from a dear, sweet, and long time friend who I don't get to see very often, as she lives far away. She has become like a sister to me.
We had a heart to heart talk at the kitchen table, over a hot cup of tea, about our mothers,  our own lives and broken hearts.
I told her how truly very grateful I am, having had such a loving, beautiful, kind, trusting, forgiving and compassionate mother. I know there are many of us that do not. We can't choose our relatives. However the family we are born into, does not have to dictate to us, who we are. We have a choice, whether to be nurture a bitter root that will grow, invade and choke out our lives, or we can put ourselves, and our souls, into having a kind and giving heart, that will help to heal our wounds and even the wounds of others. We can also have families of choice, that can give us what we need.

After my friend left this afternoon, I thought to myself, I am going to email her, tell her how much I love her, and what she means to me. Then the door bell rang, it was her! She had returned, baring gifts and I was able to tell her face to face! We both hugged, shared a few tears and talked again. I gave her some books to read, that I thought would help her.
I've learned if you feel love, show love, and act on it.
As we exchanged our goodbyes, we both acknowledged we were feeling better.

Whomever you mother/father/sister or family is, tell them you love them, show them what they mean to you, you'll all feel better for it.

I am  happy to share this picture of my Amaryllis that  bloomed in a very timely fashion during this Mother's Day weekend. I like to think it did so just for my mother.

Happy Mother's Day Sarah Helen,
and to all of our mothers.

Friday, February 25, 2011

Ok Here We Go Again


Don't get me wrong I love writing.

I've been asked to do a daily project as part of my Open Seminar class, and I do really like it. Writing is my daily project, whether it is blogging or writing in my long hand journal. It's just that some days you just wonder, what the hell am I going to write and blog about today. So I have to simply get to it, like I am right now and then it's like greasing the wheels and I have some kind of gabble to write even if it doesn't make any sense to any one else but me. This is more often the case, when I write in my journal. I don't censor my writing as I do on a public blog, and that's a good thing because it allows be more receptive to creativity.

Talking to a creative friend today we were sharing our experiences with art techniques and then we got into talking about the creative process. I came to the same realization I always come to when I have discussions like this.

I am once again reminded that it doesn't really matter what the outcome or even the intention is but what is essential is the freedom that I find in the middle of the actual creative process within a daily creative discipline. When I forget this and don't bother, I disconnect from my own creativity and it leaves me feeling out of cinque, frustrated, alone, and discouraged. This is why I think I hear this over and over again from follow artists, keep making work! This is where the creativity lives!

Wednesday, February 9, 2011

My Pantheon of Artists


I was asked to list five people who are my, "Pantheon of Artists, "I admire and state the reasons why. I can think of many dead and gone, but I want to focus on the living and include more contemporary artists that I relate to and consider to be not only great artists with integrity but examples of mentors and teachers.

I am presently in a very vibrant learning environment as part of the Fine Art program at Mount Allison University and I cannot help but be influenced by the artists around me on a day to day basis. Some are teachers and some are fellow students and many are most inspirational to me. Here is my list.
Julie Cameron
Anne Lemott








Firstly want to talk about artists, who are also teachers. I believe artists have so much to teach us regardless if this is intentional or not. I see a connection between both of these professions. I have no idea who originally said this , but I don't believe it to be necessarily true. " Those who can't do, teach." This is said in reference to those artists who do not keep up with their own art practice, teach for the implied reason that they are not very productive or "good" artists. In all the years I have gone to art school, almost seven years now, I have never come across such people within the educational environment. Perhaps not all artists are the best teachers but the fact is, they are more than likely exceptional artists, and have dedicated and committed themselves to a creative lifestyle. I have mentioned in previous writing that I have admiration for the type of teacher that is heuristic, which means to teach in a manner that leads to self discovery. This is the best definition I found from Wikipedia.

Heuristic (pronounced /hjʉˈrɪstɨk/) or heuristics (from the Greek "Εὑρίσκω" for "find" or "discover") refers to experience-based techniques for problem solving, learning, and discovery. Heuristic methods are used to speed up the process of finding a good enough solution, where an exhaustive search is impractical. Examples of this method include using a "rule of thumb", an educated guess, an intuitive judgment, or common sense. In more precise terms, heuristics are strategies using readily accessible, though loosely applicable, information to control problem solving in human beings and machines.[1] Read more: http://www.answers.com/topic/heuristic#ixzz1DZ8rEVD8

Having been a student at NSCAD in the Art Education program, I became acutely aware of what makes a dynamic and dedicated art teacher. One thing of particular importance I believe, is that a teacher have good rapport with their students. Having a sense of humour, and an ability to communicate effectively with others. Essential to teaching is an inherent passion for what I believe, needs to be a vocation. There are several other characteristic strengths and skills that I could mention however if a teacher of art does not have the foundation of these qualities I would suggest they stick to being an artist or some other career choice.

I will touch on each of the artists I have listed and speak about what it is a appreciate about each one and why I admire them as artists and as people, because I do not think I want separate the two.

Eric Fischl is the first artist I have been very influenced by over the past few years. I admire his sense of integrity and courage to invest in his subject matter which is figurative and representational. Coming out of the decade in the 70's where painting was dead and figurative painting was non-existent especially in art institutions, it took courage not to collapse under the weight and pressure of the then modernist and abstract art world. He considers himself first and foremost a painter and not an intellectual but I very much appreciate the way he thinks about art, with his head, heart, psyche, and life itself and what it is to be human.

Eric has a strong sense of the historical traditions of art and perceives these as part of his identity. As well, he has been fearless in looking at the demons from his past and worked these out, which are reflected very much in his earlier paintings. I also appreciate the fact that it is important for him to engage and communicate with his audience through his subject matter.
Julie Cameron I was first introduced to through another artist who was also an art therapist. Julie Cameron is a writer and wrote the book, The Artist's Way. This was a life changing book for me, many years ago and continues to be an influence to this day because of the principles she shares and the daily exercises she encourages the artist to internalize in their art practice and lifestyle. Jungian philosophy is at the basis of her writing and core principles which greatly resonate for me personally as a person in recovery for 17 years.
Anne Lemott, also a writer who wrote, Traveling Mercies. was the book I first read by her. She is an amazing writer, full of humour with simple and very expressive language that informs, entertains and enables great introspection of the human condition.

Andy Goldsworthy is an incredible sculptor and is an environmentalist of sorts, doing remarkable outdoor site specific sculpture. His work has a timeless quality that is usually made on the spot, from the natural materials he finds available within that natural environment. Many of his sculptures will stand the test of time and will be there for future generations to discover, which I find very appealing. Other pieces have an immediate in the present moment nature to them, disappearing over a short period of time under the influence of weather, and the elements.

Tom Forrestall I had the privilege of meeting last Summer, when there was a retrospect of his work in the Owens Gallery, at Mount Allison University, in Sackville, New Brunswick. I was spellbound by his paintings, particularly by his egg tempera pieces. I found myself wishing there were teachers at Mount Allison that were skilled in this ancient tradition, because I am now involved with this medium and process in my painting. There is something special to me about having a connection with artists like Tom Forrestall that not only were teachers in the Fine Art Department at Mount Allison Universty, by were also students there. Tradition and history are very important to me as an artist, however I do not want to be fettered by the constrictions that can be often imposed by the constraints and conservatism of tradition. It is essential to me as an artist to be open to change and to be flexible.

That's my list of five. I would love to hear from others and who they have on there list as their Pantheon of Artists.