This is a special camera, that belonged to my father. It is a 116 Kodak. He took all of our family photographs with it and developed them. It took pictures that were really quite beautiful.
The sepia colour of old photographs have an of atmospheric quality that supports the subject matter and image taken.
It's a vintage, an antique. I love this camera, but haven't had the opportunity to take pictures with it yet because I need to modify it for 120 film, as it is missing a spool that takes up the film.
Presently, I am involved with the colour film process, combined at times with black and white, in combination with coloured film and in digital format, using a scanner, photo shop, and a huge printer.
During the three years of photography, I have focused on black and white film with manual and the large format view camera. Frankly I am in love with the black and white image. That translates even into television and film for me as well. Primarily the reason being, that the focus is on the image and subject matter. The eye is not detracted by the vibrancy of colour.
Learning about photographers like Ansel Adams, Robert Frank, Ralph Gibson, Sally Mann just to name a few is such a wonderful experience. Not just because of their ability and talent as artists but because of the people they are, driven, passionate, compassionate toward life and the world. They actually are often more like philosophers in my opinion. I love to hear the things they say about photography and what and how they perceive and what they reflect back to the viewer.
Black and white are the colors of photography. To me they symbolize the alternatives of hope and despair to which mankind is forever subjected.
Robert Frank
I have been frequently accused of deliberately twisting subject matter to my point of view. Above all, I know that life for a photographer cannot be a matter of indifference. Opinion often consists of a kind of criticism. But criticism can come out of love.
Robert Frank
There is one thing the photograph must contain, the humanity of the moment. This kind of photography is realism. But realism is not enough - there has to be vision, and the two together can make a good photograph.
Robert Frank
..photographs open doors into the past but they also allow a look into the future. - Sally Mann
Photographic technique is no secret and – provided the interest is there – easily assimilated. But inspiration comes from the soul and when the Muse isn’t around even the best exposure meter is very little help. In their biographies, artists like Michelangelo, da Vinci and Bach said that their most valuable technique was their ability to inspire themselves. This is true of all artists; the moment there is something to say, there becomes a way to say it. - Ralph Gibson
Robert Frank
I have been frequently accused of deliberately twisting subject matter to my point of view. Above all, I know that life for a photographer cannot be a matter of indifference. Opinion often consists of a kind of criticism. But criticism can come out of love.
Robert Frank
There is one thing the photograph must contain, the humanity of the moment. This kind of photography is realism. But realism is not enough - there has to be vision, and the two together can make a good photograph.
Robert Frank
..photographs open doors into the past but they also allow a look into the future. - Sally Mann
Photographic technique is no secret and – provided the interest is there – easily assimilated. But inspiration comes from the soul and when the Muse isn’t around even the best exposure meter is very little help. In their biographies, artists like Michelangelo, da Vinci and Bach said that their most valuable technique was their ability to inspire themselves. This is true of all artists; the moment there is something to say, there becomes a way to say it. - Ralph Gibson
Simply look with perceptive eyes at the world about you, and trust to your own reactions and convictions. Ask yourself: "Does this subject move me to feel, think and dream? Can I visualize a print - my own personal statement of what I feel and want to convey - from the subject before me? - Ansel Adams
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